To download to the audio version, right click here and choose "save as..." or "save link as..."
To listen, press the play button on the player below
It was another poor week for releases. My regular theater was only showing Sanctum with the extra upcharges so once again I was forced to look at the competitor to see if they had something else. It's a good thing that I like art house type films! The competitor was showing The Illusionist which has been nominated for an Academy Award in the Animated Feature Film category.
The film comes with a little bit of pedigree. It is directed by Sylvain Chomet who's 2003 Triplets of Belleville was also nominated for Animated Feature Film but lost that year against Disney Pixar's Finding Nemo. The Illusionist is up against Dreamworks' How to Train Your Dragon and the boffo box office giant that is Disney Pixar's Toy Story 3. After viewing the film, it justly deserves to be nominated. Do I think it will win, no. Not because it's not good. It has a different visual style than most animation people are familiar with in addition to not being wholly computer generated.
It's the story of an older gentleman who's occupation is given by the movie title. He does illusions. He starts in France then moves on to England and eventually up into Scotland. Times are changing and he's drawing smaller crowds including coming up against Rock-n-Roll for stage time. In Scotland he meets a girl, Alice. She believes that his magic is real. When he leaves the moors of Scotland to head into Edinburgh she follows him and he takes her in.
The different components of the movie worked together very well. While there was some dialogue, most of the time I couldn't understand it. It was in french or maybe even garbled. There was very little English and no subtitles. What English there was wasn't really necessary as it became clear what was going on. The majority of the dialogue was relegated to the background. The dialogue didn't move the movie forward. It didn't have to. The visuals told the story. Through gestures, glances and interactions between people it was very clear as to what was happening. Whether the Illusionist was trying to secure a job, being released from a position or showing wonderment or confusion or worry, the images got the point across.
The visuals themselves were stunning. There was an aspect of detail, but a high amount of abstraction at the same time. There was detail that made me go wow. As he was being taken by boat across a Scottish loch, there were low hanging clouds obscuring a building on a hill. The clouds moved away, the lighting changed and the building was revealed. At another point there was rain. Roads were wet and the interaction of the street lights and vehicle lights on the wet surfaces caught my attention. Actually, the use of lights and their sources: street lights, light bulbs, spot lights, theater and marquee lighting and their corresponding darkness as cast onto varied textures had me watching the detail throughout.
The one aspect of the movie that I couldn't figure out was the motivation of Tatischeff in relation to Alice the girl. She was clearly enthralled by his magic and the pet rabbit (what good magician doesn't have an overweight nipping rabbit that has a mind of his own? Professor Hinkle in Frosty the Snowman and Presto DiGiotagione and his rabbit Alec Azam in Disney Pixar's short Presto had theirs. OK, maybe they weren't overweight and nipping, but they definitely had minds of their own!) He splurges and buys things for her that seems to really bend his wallet. They share a flat in Edinburgh. They sleep in separate rooms. He doesn't come across as a dirty old man. So why does he allow her to stay with him? If you could see me at the moment I have question marks hanging over my head in wonderment. But even with that unanswered question, it was an enjoyable watch and listen to.
The soundtrack varied with sections of opera, rock-n-roll, blues, bag pipes, jazz, piano solos, middle eastern, and circus music all used to punctuate scenes and moods of the movie. Of course since the movie starts in France there is a song sung in French to get you settled into the adventure you're about to explore.
There are an additional assortment of odd characters that add a bit of whimsy and a bit of sadness to the overall tone of the movie. The movie is rated PG for thematic elements and smoking. Lots of smoking. A couple of times wondering if something was going to catch on fire due to all the smoking kinds of smoking. The 80 minutes passes quickly and if you wait until after the credits there is an added scene for you to enjoy!
To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.
Produced by Frikitiki Productions. Reviews about both the movie and the movie going experience! Audio version available in Monkey voice!
Showing posts with label french. Show all posts
Showing posts with label french. Show all posts
Friday, February 4, 2011
Movie Review: The Illusionist
Labels:
animation,
foreign flick,
french,
movie,
movie review
Saturday, August 7, 2010
Movie Review: Micmacs
To listen to the audio version, click here
It was one of those weekends again. In theaters was Will Ferrell playing another man boy (at least it looked like it via the previews) or a 3D dance movie. From what I understand, at least the 3D movie was filmed in 3D and not post processed. But I digress. In either case, I wasn't interested in those movies so I looked to the art cinema for something and found something I did! From french director Jean-Pierre Jeunet Micmacs was one of the selections available. The film had played on the film festival circuit starting back in 2009 and had a limited release that began on May 28, 2010. Well, it made its way to Honolulu for the first weekend in August. Even though it was one of those films where you have to read the words at the bottom of the screen, it was a refreshingly quirky and different kind of film.
The film starts out in the desert. We see a team attempting to clear landmines. It was unsuccessful. During the funeral the property of the dead man is delivered and as the wife gives a blank stare over the open package, the son grabs a packet out of the box and runs to his room. The packet contains crime scene photos where he sees a logo on the land mine remains. Flash forward 30 years and see the boy now a man observing a shooting by his work place. Unfortunately, wrong place and wrong time. He ends up getting shot in the head.
Of course this changes Bazil's (Dany Boon) life. At this point the original french title of Micmacs a tire-larigot comes into play. There is no direct translation but it's something along the lines of non-stop or a lot of shenanigans. After coming out of the hospital with the bullet still embedded in his head, Bazil no longer has a job or home and is adopted into an eclectic "family" who go around Paris, collect junk and recycle them into useful or possibly re-purposed objects. After Bazil discovers the manufacturers of the land mine and bullet that affected his life, he decides to do something about it. The family joins in with a "they all do it together or he doesn't do it at all" attitude.
The movie makes a point about arms dealers. We've seen some of it before but the way that it's brought forth in this movie is more lighthearted and almost whimsical fashion. People would like to see the end of war, expect for the arms dealers. If there was no war and fighting and conflict, these companies wouldn't be in business and making money. Jeunet brings us some of the atrocities of war and slams our head against the wall with the point but at the same times gives us this nice soft fluffy pillow to make the slam comfortable enough that you almost wanted to ask for another one.
You could say that war was declared on the war makers. Each member of the family adds their talents to the plan to bring down the companies involved in making arms. I'm not going to get into the skills or give away the names, that was part of the enjoyment of the film, discovering who these people are. Calling them misfits would be wrong. They are square pegs who instead of trying to fit into a round hole found the square hole where they fit. With one particular sexual distraction used in the plan and the violence of war, the movie is rated R. Now according to sources the movie should have lasted 105 minutes, but I'm not totally sure of length or if there was an easter egg at the end. As the credits started to roll, the actor listing had just started to scroll up the screen when they abruptly stopped and the house lights came on. I hadn't expected the movie to end that way.
If Micmacs comes to your local art house cinema or becomes available via Netflix or in Blockbuster, have a look, I think that you'll find it enjoyable.
To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.
To listen to the audio version, click here
It was one of those weekends again. In theaters was Will Ferrell playing another man boy (at least it looked like it via the previews) or a 3D dance movie. From what I understand, at least the 3D movie was filmed in 3D and not post processed. But I digress. In either case, I wasn't interested in those movies so I looked to the art cinema for something and found something I did! From french director Jean-Pierre Jeunet Micmacs was one of the selections available. The film had played on the film festival circuit starting back in 2009 and had a limited release that began on May 28, 2010. Well, it made its way to Honolulu for the first weekend in August. Even though it was one of those films where you have to read the words at the bottom of the screen, it was a refreshingly quirky and different kind of film.
The film starts out in the desert. We see a team attempting to clear landmines. It was unsuccessful. During the funeral the property of the dead man is delivered and as the wife gives a blank stare over the open package, the son grabs a packet out of the box and runs to his room. The packet contains crime scene photos where he sees a logo on the land mine remains. Flash forward 30 years and see the boy now a man observing a shooting by his work place. Unfortunately, wrong place and wrong time. He ends up getting shot in the head.
Of course this changes Bazil's (Dany Boon) life. At this point the original french title of Micmacs a tire-larigot comes into play. There is no direct translation but it's something along the lines of non-stop or a lot of shenanigans. After coming out of the hospital with the bullet still embedded in his head, Bazil no longer has a job or home and is adopted into an eclectic "family" who go around Paris, collect junk and recycle them into useful or possibly re-purposed objects. After Bazil discovers the manufacturers of the land mine and bullet that affected his life, he decides to do something about it. The family joins in with a "they all do it together or he doesn't do it at all" attitude.
The movie makes a point about arms dealers. We've seen some of it before but the way that it's brought forth in this movie is more lighthearted and almost whimsical fashion. People would like to see the end of war, expect for the arms dealers. If there was no war and fighting and conflict, these companies wouldn't be in business and making money. Jeunet brings us some of the atrocities of war and slams our head against the wall with the point but at the same times gives us this nice soft fluffy pillow to make the slam comfortable enough that you almost wanted to ask for another one.
You could say that war was declared on the war makers. Each member of the family adds their talents to the plan to bring down the companies involved in making arms. I'm not going to get into the skills or give away the names, that was part of the enjoyment of the film, discovering who these people are. Calling them misfits would be wrong. They are square pegs who instead of trying to fit into a round hole found the square hole where they fit. With one particular sexual distraction used in the plan and the violence of war, the movie is rated R. Now according to sources the movie should have lasted 105 minutes, but I'm not totally sure of length or if there was an easter egg at the end. As the credits started to roll, the actor listing had just started to scroll up the screen when they abruptly stopped and the house lights came on. I hadn't expected the movie to end that way.
If Micmacs comes to your local art house cinema or becomes available via Netflix or in Blockbuster, have a look, I think that you'll find it enjoyable.
To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.
To listen to the audio version, click here
Labels:
dany boon,
foreign flick,
french,
Jean-Pierre Jeunet,
movie,
movie review,
subtitles
Subscribe to:
Posts (Atom)