Movie Review: Cars 2

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The animation continues to flow from Pixar. Cars 2 is their 12th animated feature. When the movie started they flashed a title card showing that they were celebrating their 25th anniversary. One lady in front of me said "No, that can't be" and another said "Must be...look it's right there" as she pointed to the screen. It started with Luxo Jr. in 1986 so, it would be 25 years. Funny that it started with a Jr and the current movie is a two!

Cars is not considered one of Pixar's best films, in fact many rank it towards the bottom of the list, if not the bottom. While not gathering the most critical acclaim, it has been very popular for Pixar and its parent company Disney because of the money they have made from the merchandising bonanza that the characters have been. Approximately $10 billion has been made in sales and the movie only came out in 2006. Hence one of the driving forces for the sequel. Maybe this is one that should have gone directly to blu-ray.


Before the main event like all Pixar films, we were treated to a short. The Toy Story ohana showed up for a Hawaiian Vacation. Taking place at their new residence, the toys are excited for a break because their new owner, Bonnie, is going with her family to Hawaii.

When Ken and Barbie didn't successfully manage to sneak into Bonnie's luggage, the whole gang including new characters like Buttercup and Mr Prinklepants manages to treat Ken and Barbie to a Hawaiian vacation right there in the bedroom. Speaking of Mr Prinklepants, when I reviewed Toy Story 3 last year I mentioned about a Mr Prinklepants plush. It took the Disney store a while, but they finally got a plush and he now sits on my desk shelf overlooking me as I write and work on my computer. For the short, as a resident of Hawaii I found the jokes and stereotypes very funny. They only thing I think they missed was dropping a plug for the new Aulani, a Disney Resort and Spa as the destination for Bonnie and her family which opens later this summer.

Into the meat and potatoes; Cars 2 reunites us with the gang in Radiator Springs. Mater (Larry the Cable Guy) is just waiting for Lightning McQueen (Owen Wilson) to come back from the Piston Cup circuit. The producers pay a little homage to Doc Hudson who was voiced by Paul Newman and passed away back in 2008. McQueen is ready to stay put until Mater unwittingly gets him entwined in a global race series to prove the worthiness of an alternative fuel. So Lightning plans to take Mater with him on the road to the countries of Japan, Italy and Great Britain for the World Grand Prix.

This is where the usual tight stories of Pixar started to unravel a bit. The movie instead of focusing on relationships got caught up in a spy story focusing on Mater. In Tokyo, blunder and mistake after lack of exposure to life outside of Radiator Springs results in a wrong place at the wrong time confusion with Finn McMissle (Michael Caine) and Holly Shiftwell (Emily Mortimer) of British Intelligence thinking Mater is actually an American Spy. So much for "British Intelligence."

So you have the master villain, the evil scientist, the big henchmen,the grandiose plan, the suave spy, the novice spy and the clueless just being himself bystander. All the components are there for a great story, but they fall short for a feature Pixar story. After the total emotional sequences from Toy Story 3 in its rites of passage ending, Carl and Ellie's love story at the beginning of Up and the connection between the robots of Wall-E and Eve on a scorched Earth in Wall-E, there weren't any highly emotional moments that would make a man suddenly develop allergies...if you know what I mean. Pixar is known for drawing out the emotion and it just wasn't there for this go around.

The animation was top notch as always, although at times it was over stimulating to the senses. I could appreciate all the details for the locations. The bright neon signs in Tokyo, the Odaiba Ferris Wheel, the rainbow bridge, all icons of the location. One of the really fun parts of the Cars universe is how they took items that are found in our real world in real cities and modified them to exist in theirs. Cars going through airport security, finding a capsule hotel and using a Japanese style bathroom are a few examples of the anthromorphization of the mobile pieces of metal be it ship, crane, plane, train or automobile. But I found myself overwhelmed by all these details and trying to pay attention for any easter eggs that may have been placed with the nooks and crannies of the movie knowing that there were over 60 hidden in Toy Story 3.

The visuals are complex, the story is a bit weak for a feature release; this is probably the first Pixar release that will only hit a single and not go beyond a double. The short ran for five minutes and 113 minutes for the main feature. There is no easter egg at the end of the movie but the credits are fun to watch. Kids will love the movie for the action of the spy genre and humor of Mater. Adults will go ho hum without the strong emotional hook. I have a feeling that Pixar in order to boost the numbers for the film will do like they did with A Bug's Life and release another version of the film in a few weeks that will contain bonus scenes, maybe scrapbook photos of our heroes in the different locations. Oh, the movie is rated G for general audiences.

The Movie Monkey
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Movie Review: Kung Fu Panda 2

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This is the weekend of the sequels. Early weekend releases The Hangover Part II and Kung Fu Panda 2 join last weekends Pirates of the Caribbean 4. The three movies will be battling it out to determine who will be the king of the long Memorial Day weekend box office. Two of the movies are available in 3D and one of them, Hangover, will rely solely on the ticket revenue from a 2D version.

With a special contest code from M&Ms that awarded me a $3 discount on a ticket I had my ticket money plunked down for the 2D version of Kung Fu Panda 2 instead of using the discount to pay the surcharge for the 3D version.

A little shy of three years ago we met Po (Jack Black) as he went from an overweight, lazy, slacker panda to become the Dragon Warrior and join the elite kung fu fighters of the Furious Five: Tigress, Mantis, Viper, Monkey and Crane (Angelia Jolie, Seth Rogen, Lucy Liu, Jackie Chan and David Cross) under the tutelage of Master Shifu (Dustin Hoffman).

Now, the very existence of kung fu is threatened by Lord Shen (Gary Oldman) a pea fowl who has an axe to grind. Well, actually he has a cannon to shoot since he has learned how to use gun powder not for a beautiful display of fireworks but as a weapon for mass destruction and the conquering of China. What stands in way of Lord Shen's desires? According to the Soothsayer (Michelle Yeoh) something that is black and white. Might that be a panda? AND...could that panda be Po?

The battle lines have been drawn and we know that Po and Lord Shen will face off against each other. Po's skills have improved, but if it wasn't for the assistance of the Furious Five, he would have been toast a long time ago. His aligning with the Five is just what he needs to be an effective team player until he discovers a secret which shakes him to his core and rocks his chi. His father, Mr Ping, the goose that makes a delicious noodle soup and one mean, hot, steamed bun is horror of all horrors, not his real father. Insert dramatic duh dah dum....music here. Apparently Mr Ping never had the birds and bees talk with Po for Po to figure out that he didn't come from an egg.

The revelation of adoption and its aftermath is the weakest part of the movie. In movies and TV too many times the characters are shown to loose all self worth and wonder who they are when they discover that their biological parents, usually the mother, felt that someone else could do a better job raising them. Po looses confidence and starts playing mind games with himself questioning the love and care that his father, the goose, Mr Ping has given him since he took Po in as his own. That self doubt interferes with his ability to fight Lord Shen.

Fortunately, the rest of the movie makes up for this short coming. The relationship between Po and Tigress has deepened; Master Shifu giving his masterly advice to Po; Po's working though the necessary barriers to once again triumph good over evil all work in the character development department.

The story really moves along due to the overall story development and the methods used to tell it. When the story opens we are given the back story of Lord Shen. It is told using flat animated, 2D paper cutouts almost shadow puppet in form. As Po has flashbacks those images are again a flat 2D stylized animation form. At the end of the 90 minutes the credits are multi-layer 2D renderings that are well worth sitting through to enjoy. I'm sure in the 3D version they did more with this section. Sandwiched in between are the traditional computer renderings using shadow and highlights to give the 2D figures the look of 3D. The colors were bright and vibrant and the textures were highly detailed. From the fine lines in Lord Shen's feathers to the applique embroidery and stitches in vests and robes to the growth rings in a ram's or water buffalo's horns the nuances add to the graphical details giving further life to the characters.

One last special detail mention is for the fireworks. These fireworks sparkled and shimmered at a particle level like I haven't seen before. Tie that in with the smoke clouds and trails and you sit in your seat and ooooooh and aaaaaah during those scenes.

There is no easter egg at the end but as already mentioned, the credits are worth sitting through for the visuals of this movie rated PG for sequences of martial arts action and mild violence.

The Movie Monkey

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Movie Review: Rio

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Samba....samba...samba lessons, see samba dancing....samba dancing. Oh sorry, didn't see you sitting there. I'm flipping through the yellow pages looking for places where I can learn to do the samba. After watching Rio, I'm very tempted to learn how to shake my own tail feathers just like an animated small blue macaw in Rio de Janeiro rain forest. He too was overcome by the infectious beat of the bossa nova and shook his tail feathers. In fact he shook them so much the new born or would that be new hatchling fell out of his tree only to be captured by exotic bird poachers and shipped to a frozen Moose Lake, Minnesota. The shivering youngling is befriended by a young Linda. So there is the set up for our movie. They start off strong with song, sounds, music, rhythms, syncopation, motions and colors spellbind the viewers. I saw the movie in 2D but it was very obvious how they were using the 3D in the opening sequence.

Oh wait...I forgot. Before Rio started, we had a visit from your friendly neighborhood Scrat. The sabre-toothed squirrel has been part of each of the Ice Age movies. Blue Sky Studios produced both the Ice Age series as well as Rio. In this go around Scrat will not only go to the ends of the earth to save his beloved acorn, but he will go to the middle of it as well! You can't but help laugh when the Scrat is up on the screen!

Time passes and about 15 years later we meet up with a grown up Blu (Jesse Eisenberg) and Linda (Leslie Mann). He's become a domesticate house pet without a care who never learned to fly. He didn't have to. His world is all upset when he ends up traveling back to Rio de Janeiro in order to meet up the last female blue macaw. Boy meets girl in order to save a species from extinction. But, they say things happen in cycles. He is once again kidnapped along with his new "friend" Jewel (Anne Hathaway). Can Blu overcome his domestication and fly the coop in order to rescue Jewel and return to his home in the rain forest or Moose Lake?

The movie is very catchy with the music and the animation. Where it fails is with the story line within the 96 minutes running time. There are somethings that just overwhelm the story. Instead of one side kick, there end up being three, well actually four but two come as a set. The first is Rafael, a rain forest toucan (George Lopez) who acts as the guide to help Blu realize that flying is in his DNA. Then are the two urban birds, Nico and Pedro (Jamie Foxx and the Black Eyed Peas will.i.am) who provide musical interludes and date and love making advice. Lastly is the bull dog Luiz (Tracy Morgan) who's biggest dream seems to be to dress up like Carmen Miranda and dance in the carnival parade while trying to keep drool off of his outfit. For you kids who don't know, Carmen Miranda appeared in the 1943 movie The Gang's All Here which then made the fruit headdress popular and a stock item when describing a samba beat or talking about Chiquita bananas. Director Carlos Saldanha tried to pack a lot of action into the time allotment and didn't allow enough slower times between skirmishes.

3D computer animation has come a long way with the detail and textures that is now capable of being rendered especially when it comes to hair, fur and feathers. What I found interesting is in many places the lack textures. The animal characters were highly meticulously designed. But at times there were items like clothes or walls or cloth that were left with lots of color and parts, but not the surface gains and qualities.

The writers did leave out a heavy environmental message. They didn't rant about the raizing of the rain forest or poaching of animals into extinction. But they did make jokes of men (and dogs) dressing up for carnival earning the movie a PG rating for mild off color (not referring the the vibrant reds, blues, greens and yellows found in a color wheel and the birds feathers) humor. Also when you think about it, they are trying to get a male and female blue macaw together in order to perpetuate the species. The one line that I thought would have been used but didn't is when under the standard "boy looses girl" segment of the plot she or he in anger blurts out the "I wouldn't go with you if you were the last person" or in this case "bird on the face of the earth!" and they go storming away from each other yelling "FINE!" So it wasn't totally predictable!

With the humor, colors, animals, love story, music and the travelogue to Rio de Janeiro and Carnival, there is something everyone could find to enjoy in Rio.

The Movie Monkey

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Movie Review: Rango

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Gore Verbinski is back with Johnny Depp. They worked together on the three live action Pirates of the Caribbean movies and now they team together for the computer animated Rango. Depp provides the voice for the main character, a chameleon. Verbinski wears multiple hats including director, producer, writer AND voice talent. From the pirate genre to the western. Dusty main street, high noon show down and the rolling blowing tumble weed going across the screen set the stereotypical western scene after a slight detour from reality. The whole 107 minute movie was a nice little departure from reality!

As Rango, Depp with the voice and the animated actions reminded me of the Don Knotts movies, specifically The Ghost and Mr Chicken although not quite as high strung. A chameleon who wants to be more than he is, just as Luther Heggs wanted to be more than he was. Chameleons by nature want to blend into their surroundings and here he is wearing a bright red aloha shirt with a vibrant yellow hibiscus print. The result, he sticks out like a sore thumb!

Right from the start, the visuals are detailed and eye popping. The little pits and bumps of chameleon skin, smooth plastic, water fluidity, desert dirt and cacti pins are rendered with great details. Our story tellers are a mariachi band of owls playing the trumpet, accordion, guitar and violin. The visuals of the birds, the instruments, their colors and the outfits make the cuts to their narration a joy to watch.

Once our protagonist heads into the desert town of Dirt, yah, that's right the name is Dirt, not a euphemism meaning unclean, broken down and not worth much the eclectic collection of towns folk spy through their building doors and windows the stranger that has rolled into town. As we meet rabbits, moles, horny toads, gila monsters, desert spiny lizards, hawks, bats, tortoises, rattle snakes and coyotes, we see details of both the animal and the detail that make them unique like eye colors, hair textures, skin lesions and clothes that bring the character to life and give them personalities.

When the stranger arrives in town he bellies up to the saloon bar. Through a series of unintended actions and some pretty bold stories that get rid of the bad guys who have been pestering the simple town folk of Dirt, our now hero is asked his name. He declares it is Rango and becomes the new sheriff in town. But something is unclean in Dirt and it's more than just the main street. Can the new law man clean up the town when the water supply is drying up?

There weren't many people in the theater with me, maybe twenty for a noon time matinee showing but that didn't stop the space from being filled with laughter. All throughout there were some good laughs generated both by visual jokes and funny dialogue. The movie is rated PG for rude humor, language, action and smoking. There were a couple of small children in the theater and the scene with Rattlesnake Jake (Bill Nighy) for them was a little too intense causing them to cry. Here's a giant snake with giant fangs dripping with venom moving quickly shooting with a Gatling gun of sorts on his tail, you can understand why they might have gotten slightly frightened.

The one point of the movie that I did catch as an error, sort of was Rango's eyes. His head was basically a Jackson Chameleon's head set on a skinny neck. Their eyes are orbital eyes meaning that they work independently of each other. One eye can be looking forward and the other backward or one up and the other down. His eyes were too human. They would both look in the same direction at the same time, which after owning a Jackson, having the eyes work together felt wrong. But, given the scope of the entire movie, that was a minor point.

I plan to go back and see it again using my free movie coupon. It was fun to watch and listen too and filled with a lot of visual detail which I'm sure I missed more than I caught.

The Movie Monkey

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Movie Rewiew: Oscar Nominated Shorts

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This weekend I had the chance to do something different for the movie going experience. My regular theater was showing Gnomeo and Juliet but the competing art house type theater was showing the 2011 Oscar nominated shorts. Although the poster showed Animated, Live Action and Documentary, they didn't show the latter and each of the categories was a separate ticket. So I spent double the usual amount for this weeks review, but I thought the price would be reasonable considering that many people considered these films the best of the best.

This presentation was not the usual formula for movie attendance. The theater remained lit until they pressed play on what looked like a Blu-Ray disc. No slides, no sound, no trailers, no warnings about fire exits, smoking or turning off of cell phones. There was a quick title card showing what I was attending first which was the Animated Shorts and then into the selections. BTW, The Academy of Motion Picture Arts and Sciences defines a shorts as "A short film is defined as an original motion picture that has a running time of 40 minutes or less, including all credits." To see the complete criteria Click Here.

The animated selections were as follows:

• Madagascar, Carnet De Voyage, France, 11 minutes
• Let's Pollute, USA, 6 minutes
• The Gruffalo, UK/Germany, 27 minutes
• The Lost Thing, Australia, 15 minutes
  
• Day & Night, USA, 6 minutes

Also included were two other Highly Recommended films which were:

• URS, Germany, 10 minutes
• The Cow Who Wanted to be a Hamburger, USA, 6 minutes

Madagascar, Carnet De Voyage was the story of a person returning home for a funeral. The format was like a travel book with pages being turned to tell the story. The pictures were ink, pastels, water colors and pencil. Layers were used to make the images appear to have 3D depths. Subtitles were provided.

Let's Pollute was a film about how bad man is to the environment by mocking mankind and their habits. It was done with the styling of educational films from the 1950s.

I very much enjoyed The Gruffalo. When I saw the title, I thought that actor Mark Ruffalo would show up and be yelling "Grrrrrr." The style looked like claymation, but was computer generated. It's a mother squirrel telling the story of a smart mouse who outwits predators by telling them he's meeting a Gruffalo, a scary beast that happens to like the predators as ingredients for a meal.

I use a social networking program that has icons that look like different objects and animals put together as a single life form. The Lost Thing reminded me of those icons. A boy finds a lost thing on the beach. It has the body of a teapot minus the handle along with crab like claws, bells and tentacles. He wants to bring it home but realizes that it needs to live somewhere else.

The last official entry was Day & Night. It was the only one that I saw previously as it was made by Pixar and shown with last year's Toy Story 3 which is up for the Oscar's Best Animated Feature Film award. It is about two entities who meet but through their outline bodies the scenery is time shifted. It was shown in 2D but was originally processed for 3D viewing.

URS is without words. An older son attempts to move his reluctant mother to someplace better. It has dark and light and had me emotionally involved in just the short ten minutes.

Lastly was The Cow Who Wanted to be a Hamburger. Two things on this movie. First is it goes to prove that parents, you can love your kids as much as you want, but they can still make bad decisions where they might hurt themselves. Secondly, ladies, maybe lifting weights isn't such a bad thing.

After a short break and a reload on popcorn and soda, the second "movie" began with the same lack of fanfare as the first.

This time only five shorts were shown and in order they were:

• Na Wewe, Belgium, 19 minutes
• The Crush, Ireland, 15 minutes
• The Confession, UK, 26 minutes
• Wish 143, UK, 24 minutes
• God of Love, USA, 18 minutes

Just as the first short in animation began with subtitles, so did Na Wewe. A Belgian and his assistant break down and get picked up by a passing passenger van in Burundi. Shortly thereafter they are stopped by rebels looking to determine who is Hutu and who is Tutsi. I was uncomfortable in my seat thinking that someone might get executed just for being themselves.

What will a second grade boy do to win the affection of his teacher? The Crush examines one such scenario when the boy goes up against a competing suitor. For me the Irish brogue added a lot of charm to this selection.

This short, The Confession, had me on the edge of my seat. Usually shorts are comedy or whimsical. This was a thriller and a suspense that I wasn't expecting. A boy and his friend are getting ready for their first confession. But what will they be confessing?

A 16 year old male terminal cancer patient is asked about what he would like for his wish, Wish 143. But how will the granting organization respond when he asks to have the pleasure of experiencing intimate love for his first and probably only time before he passes away?

The last live action short was God of Love. It was a funny little film about a man who had been asking God for a year to bring him the love of his life. Is the package that showed up at his work place the answer to his prayers? As it is said, be careful what you ask for because you may get it!

If you would like to see the trailers for all of the nominated shorts or look for locations near you where you can see all of the selections, goto http://www.shortshd.com/theoscarshorts The trailers for the Highly Recommended films are not there. For URS trailer, Click Here. The trailer for The Cow Who Wanted to be a Hamburger can be found Here. If you have a chance to go see them, I highly recommend it.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: The Illusionist

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It was another poor week for releases. My regular theater was only showing Sanctum with the extra upcharges so once again I was forced to look at the competitor to see if they had something else. It's a good thing that I like art house type films! The competitor was showing The Illusionist which has been nominated for an Academy Award in the Animated Feature Film category.

The film comes with a little bit of pedigree. It is directed by Sylvain Chomet who's 2003 Triplets of Belleville was also nominated for Animated Feature Film but lost that year against Disney Pixar's Finding Nemo. The Illusionist is up against Dreamworks' How to Train Your Dragon and the boffo box office giant that is Disney Pixar's Toy Story 3. After viewing the film, it justly deserves to be nominated. Do I think it will win, no. Not because it's not good. It has a different visual style than most animation people are familiar with in addition to not being wholly computer generated.

It's the story of an older gentleman who's occupation is given by the movie title. He does illusions. He starts in France then moves on to England and eventually up into Scotland. Times are changing and he's drawing smaller crowds including coming up against Rock-n-Roll for stage time. In Scotland he meets a girl, Alice. She believes that his magic is real. When he leaves the moors of Scotland to head into Edinburgh she follows him and he takes her in.

The different components of the movie worked together very well. While there was some dialogue, most of the time I couldn't understand it. It was in french or maybe even garbled. There was very little English and no subtitles. What English there was wasn't really necessary as it became clear what was going on. The majority of the dialogue was relegated to the background. The dialogue didn't move the movie forward. It didn't have to. The visuals told the story. Through gestures, glances and interactions between people it was very clear as to what was happening. Whether the Illusionist was trying to secure a job, being released from a position or showing wonderment or confusion or worry, the images got the point across.

The visuals themselves were stunning. There was an aspect of detail, but a high amount of abstraction at the same time. There was detail that made me go wow. As he was being taken by boat across a Scottish loch, there were low hanging clouds obscuring a building on a hill. The clouds moved away, the lighting changed and the building was revealed. At another point there was rain. Roads were wet and the interaction of the street lights and vehicle lights on the wet surfaces caught my attention. Actually, the use of lights and their sources: street lights, light bulbs, spot lights, theater and marquee lighting and their corresponding darkness as cast onto varied textures had me watching the detail throughout.

The one aspect of the movie that I couldn't figure out was the motivation of Tatischeff in relation to Alice the girl. She was clearly enthralled by his magic and the pet rabbit (what good magician doesn't have an overweight nipping rabbit that has a mind of his own? Professor Hinkle in Frosty the Snowman and Presto DiGiotagione and his rabbit Alec Azam in Disney Pixar's short Presto had theirs. OK, maybe they weren't overweight and nipping, but they definitely had minds of their own!) He splurges and buys things for her that seems to really bend his wallet. They share a flat in Edinburgh. They sleep in separate rooms. He doesn't come across as a dirty old man. So why does he allow her to stay with him? If you could see me at the moment I have question marks hanging over my head in wonderment. But even with that unanswered question, it was an enjoyable watch and listen to.

The soundtrack varied with sections of opera, rock-n-roll, blues, bag pipes, jazz, piano solos, middle eastern, and circus music all used to punctuate scenes and moods of the movie. Of course since the movie starts in France there is a song sung in French to get you settled into the adventure you're about to explore.

There are an additional assortment of odd characters that add a bit of whimsy and a bit of sadness to the overall tone of the movie. The movie is rated PG for thematic elements and smoking. Lots of smoking. A couple of times wondering if something was going to catch on fire due to all the smoking kinds of smoking. The 80 minutes passes quickly and if you wait until after the credits there is an added scene for you to enjoy!

The Movie Monkey

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Movie Review: Toy Story 3

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Back in 1995 when Pixar released Toy Story, it changed the game for movie goers. To see what sort of images the computer could generate and get us to accept this world of toys in Andy's room could actually exist hadn't been done before. More importantly was the story. They got us to believe that Sheriff Woody, Buzz Lightyear (Tom Hanks and Tim Allen) and the rest of the toys were real and to care what happened to them. Four year later along comes Toy Story 2 giving further refinement to the characters that we know and love. We are introduced to new ones like Jessie the yodeling cowgirl (Joan Cusack) and Bullseye. Then they were put on a shelf for eleven years. But now they are taken down, dusted off and back better than ever. The wait was worth it! It's great to be reunited with old friends.

My home theater is showing the movie in IMAX 3D, Real 3D and 2D. I was in the third show of the day, the first showing in 2D and the theater was packed. It's like schools and summer programs had made a field trip out of seeing this movie and packed the room. I couldn't get my regular seat about three quarters of the way up and in an end seat. I had to sit in the first row of the risers in a handicap seat knowing that if a wheel chair guest came in I might have to move to the front row and stare up at the screen. This movie will probably break some records this weekend.

Just as time had passed between movies in the real world about the same amount of time has passed in the world of Andy's room. He's now grown up and heading off to college. He has to clean out his room. What do you do with the toys that you loved as a child? Take them with you, throw them away, donate them or store them? The toys ponder their fate while reflecting what happened to some of their old pals that didn't make it up to this point. Inadvertently the toys end up being donated to a day care center.

Here our heroes plus Mr and Mrs Potato Head, Slinky dog, Barbie, Hamm, the three eyed aliens and Rex (Don Rickles, Estelle Harris, Blake Clark, Jodi Benson, John Ratzenberger, Jeff Pidgeon, and Wallace Shawn) come to cross roads. In Toy Story 2 the relationship between Jesse and her owner Emily translated through the beautiful song When She Loved Me. Many of the same feelings were once again being expressed but not exclusively by Jessie. Their fears are put to rest by a new character Lots-0-Huggin Bear (Ned Beatty) or Lotso for short, a pink fluffy teddy type bear that smells like strawberries who acts as representative for the toys who call Sunny Side Daycare their home. Other new toys introduced are Mr Pricklepants, Dolly, Buttercup, Sparks and Bookworm just to name a few. I'll have to drop by my local Disney Store and see if Mr Pricklepants comes in a plush. I find the idea of a lederhosen wearing hedgehog pretty funny and even funnier when he reveals that he wants to be a Shakespearean actor!

Their orientation is given by Ken (Michael Keaton) who for the first time discovers Barbie. The reaction and banter between the two is inspired creativity. They could probably have a spin off with just these two. Ken shows the newbies to the Caterpillar room where after recess the kids come in and the toys get played with....and HARD! Buzz makes an appeal to Lotso to move to the Butterfly room where there are children more age appropriate for the gang. Turns out Sunny Side isn't so sunny after all. Andy's toys decide to make a break for it, to get out from under the storm clouds of Sunny Side but to return to what?

Overall the tone of the movie is much darker than we've seen in any previous Toy Story movie. Although the movie has a G rating, there are themes here which are very grown up. The last twenty minutes of the movie you will need tissues. Friendship and loyalty versus responsibility and duty. Where is my place? Should I rust out or get worn out? Do I stick with what I know or venture into the unknown? All great questions that are presented to us through the eyes of a toy or a group of toys. Ultimately, the movie's conclusion is very satisfying as we watch the closing credits. The guys and ladies over at Pixar have not only given us great visuals to enjoy but a story worthy of watching.

Speaking of visuals, Pixar is known for putting easter eggs into their films. The little nods to inside jokes, running gags, past or even future films abound in this movie. The big one that I noticed was the Pizza Planet truck. The letters Y-O stuck out like a sore thumb. One blogger over at Slash Film counted about 60 hidden gems. Many are not as blatant as the truck but interesting on their own. Check out the blog post at: http://www.slashfilm.com/2010/06/18/toy-story-3-easter-eggs/ for the details.

Usually I give you the running length of the movie, but I forgot to look at the time. I've seen a couple of times reported on web sites, but don't know if that includes the short that is shown in front of the movie. It's entitled Day and Night and is very different than any of the previously released shorts like Boundin', Knick Knack or Partly Cloudy. It's a very ingenious presentation! I'm assuming that the short was about 8 minutes and the main feature about 90 minutes. In any case, it's time well spent.

The Movie Monkey

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Movie Review: Avatar in IMAX 3D

So I finally did it, I broke down and paid the $15.00 to see Avatar in IMAX 3D. On the back side, Regal Theaters isn't going to get any soda money out of me for a few more shows. Although Regal claims to have IMAX, it's not the huge screen like we used to have in Waikiki or the one at the Polynesian Cultural Center. I guess could be called IMAX Lite, check out the details here. I ended up missing the first show of the day and went to the second. When I arrived 30 minutes before the movie, there was a huge line ticket line and once I headed inside, there was a big line to get into the theater. About ten minutes before the show started the theater was already so crowded that groups of people were breaking up into single seats. I haven't seen a show pack out like that in a l-o-n-g time.

Directed by James Cameron, the same guy who directed the highest grossing film of all time, Titanic; this film has been reported to cost between$300 and $500 million dollars to create. If you're going to spend that kind of money, why not make it a long one, 162 minutes running time so if you split the difference it cost about two and a half million dollars per minute. In the area of gee whiz incredible looking film, this has it. For the story, the dialogue and plot run a little long. It could have been tightened up. (Side note: As I write this James Cameron is on Jimmy Kimmel and the number of $500 million was bandied about between the two, so that would mean about $3.1 million per minute to make)

A former jar head, Jake Sulley (Sam Worthington) is brought to the planet Pandora. He's part of a plan to move the Na'vi natives to another area so that his employer can get into an area to mine for rare and very lucrative mineral. The idea is to put his conscience into an avatar, a body that is composed of the DNA material of the natives and his own. The avatar project is controlled by Dr Grace Augustine (Sigourney Weaver). Once in a body that can handle the environment, Jake can mingle with the locals. While roaming the landscape, he meets Neytiri of the Na'vi (Zoe Saldana) who teaches him about the planet. But that plan takes time and the Colonel (Stephen Lang) would just like to use firepower and might to take what they want.

The Na'vi are produced using motion capture like Robert Zemeckis did in Disney's A Christmas Carol. The result is much different since the Na'vi are humanoid but not humans. With their blue skin and extended height, it works where it didn't quite in Christmas Carol.

As you get to see Pandora, the imagery is breath taking. The types of plants, animals, and the scope of the different environs are simply amazing. The look of many of the flora and fauna remind me of vertebrae and invertebrates that you would find in the deep ocean where no light exist. They appear to have bioluminescence and at times look like the planet was splashed with those special paints and then someone turned on the black light. Ever see Michael Jackson's Billy Jean where he walks the street lights up? The Na'vi's footsteps produce the same effect on Pandora.

At times the visuals are overwhelming and that contributed to the feeling that the movie was too long. I'm not saying they were bad just that my mind spent time trying to comprehend just how massive objects and locations on Pandora really were. A couple of times I had to shut down my mind from trying to figure out "how would that be possible?" and trying to work out the physics. I had to remind myself just to accept it and Cameron did a good job not trying to get caught up in those details.

As mentioned earlier, the plot needed some help . Some times the details weren't given which was good but at other times too much was given. I really think something that would have helped out is if Cameron took a clue from Trey Parker and Matt Stone (the guys from South Park) in Team America: World Police. " When you need to put yourself to the test, and show us a passage of time We're gonna need a montage! MONTAGE!"

Cameron has also taken a page out of Hayao Miyazaki's story background as shown in Ponyo and Princess Mononoke using Gia or Mother Earth or in this case, Mother Pandora. This subject often included in a plot when the antagonist wants to take resources from the planet. They don't hit you over the head like An Inconvenient Truth, but they don't let it pass either.

Come Oscar time, I'm sure that this movie will be up for a number of awards. Just like Titanic, I feel confident in that they will take awards in the area of technology and background. Awards like sound effects editing, best editing, and best sound will probably go to Avatar. If it doesn't win best visuals, I'd be shocked. I don't think that any of the acting awards will be heaped upon the actors in this movie although they may be nominated.

When it comes time to head out to the theater, you'll have the choice of regular 2D, 3D, or IMAX 3D. I did enjoy the 3D with the depth that it added to the movie. It wasn't the 3D that comes out of the screen, but having the depth really added to the experience with the huge scopes they were trying to convey. When I came out of my show there were lines for each format waiting outside of the lobby to get in and enjoy with the IMAX 3D line being the longest. Too bad the Polynesian Cultural Center didn't show Avatar on their IMAX screen this weekend. They could have made a killing!

The show was rated PG-13 due to some of the violence of the battle scenes and fighting.

Movie Review: The Princess and the Frog

For many months now we've been bombarded with stories both on TV and in writing about Disney's return to hand drawn animation and their first African-American princess, Tiana, in The Princess and the Frog. The movie has been playing in limited release in Los Angeles and New York and today (December 11, 2009) finally was made available in general release. While there was a hint the movie would be hit with Tiana costumes selling out at Halloween, I can say that the movie was worth the wait.

The last attempt at hand drawn animation done by Disney was back in 2004 with Home on the Range. That movie was forgettable. It was so forgettable that I had to look up the movie on IMDB to remember what it was. Since then John Lasseter and the Pixar gang came on board with Disney. One of the qualities that Pixar is known for is having a story with a solid plot and characters that have depth and emotions. With Lasseter as the Chief Creative Officer, that philosophy rubbed off and wa-la, we have a story with charm, character, depth and that holds your attention.

The original story from the Brothers Grimm had been reworked to bring us the story of Tiana (Anika Noni Rose), an African-American waitress in 1920's New Orleans who dreams of owning her own restaurant. In steps Prince Naveen (Bruno Campos) and his assistant Lawrence (Peter Bartlett) who run into Voodoo practitioner Dr Facilier (Keith David) who wants to bring over his friends "from the other side" and turns Naveen into a frog. In the twist to the story instead of the kiss returning Naveen to his human form, Tiana turns into a frog. Some twist as it's been in every preview and ad for the movie. Naveen and Tiana in their journey to transform out of their amphibian form meet Ray the firefly (Jim Cummings) with a heart bigger than his butt and Louis (Michael-Leon Wooley), an alligator who blows a mean horn and has the dream to join a jazz band.

Dr Facilier is right up there with the Disney villains. Called by Tiana, The Shadow Man, with voodoo magic on his side, he uses it to his advantage. While the movie is rated G, the minions that he is able to use to help carry out his plans were somewhat scary. As shadows that were able to grab people and objects, it was a dark side that is normally not explored in these sort of movies.

The scenery is detailed and beautiful. The mansions, the riverboat, downtown New Orleans, and the French Quarter look amazing. Out in the bayou, the greens and other vegetation draw you in. When Tiana and Naveen meet Ray and Ray introduces the rest of his firefly family I sat their with my mouth open. I loved the use of light and the points of light to tell the story and accent points in the journey. Marvelous! There was some computer animation to add to the movie. Just as the ballroom was computer generated in Beauty and the Beast, the computer was an adjunct tool rather than the only tool used.

With Randy Newman providing the music, it filled in the missing pieces to round out the experience. New Orleans is the birthplace of Jazz so of course that was included along with Zydeco and a gospel choir selection. While for me no one song stood out, they all combined to move the story forward.

The one sequence that did stand out for me was "Almost There". Tiana is working hard as a waitress saving her money to be able to achieve her own dream. She is telling her mom about her plans to take a broken down location and turn it into an experience for good food with good friends. The animation changes to a stylized form and the dream that she is passionate about leaps off the screen with the music, lyrics, animation, imagery and color that make you almost taste the gumbo that she wants to serve in her new eatery.

In regards to how the bad guy is finally taken down, I was thrilled that they didn't resort to the age old, time tested and honored method of dispatching the baddy. The Evil Queen, Maleficent, Clayton, and Gaston all met their end falling over some sort of precipice. When Dr Facilier met his end I was like "Yes! This is different!!" A definite thumbs up on how the bad guy was vanquished!

There have been some comments in the press and online about The Princess and the Frog riding on the coattails of the election of Barrack Hussein Obama as the first African-American President. This is a bunch of hog hooey. This movie has been in the making for over three years and then Senator Obama announced on February 10, 2007 his Presidential aspirations. In the second half of 2006 Randy Newman was selected for the music and casting calls went out. Both events predating any announcement of and election of now President Obama. Who knows, maybe he was inspired by the movie to run for the highest office in the land?

Off my soap box. It's a wonderful story about both wishing and working for your dreams to come true. I'll be seeing the movie a second time as I know there were a lot of details that I missed the first time. There are many visuals to absorb in the 97 minute running time.