Movie Review: The Muppets

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The movie that I’ve been waiting a long time to see finally released this weekend. There was the time spent waiting for a movie to even be announced and then when it was, the anticipation of knowing that it was coming, anticipation for the final release date. While sitting in the theater waiting for The Muppets to start, several times shivers crossed by body. It was the good kind, similar to those that you would have anticipating the arrival of the big man in the red suit to visit your house. The wait was finally over and the movie was satisfying, but not wholly fulfilling.

Before we got to the actual Muppets, there was a Disney Pixar short Small Fry. Buzz Lightyear finds himself at a fast food restaurant where there is a Mini Me of himself in the form of a kids meal toy. The Mini Me manages to swap places with the real Buzz while the owner Bonnie was playing in the ball pit. Back in Bonnie’s bedroom the rest of the gang realize that they have a fake Buzz while the real Buzz tries to escape the restaurant. Unfortunately, he ends up in a storage room of unused and defective kid meal toys in a scene that is reminiscent of the Island of Misfit Toys from Rudolph the Red-Nosed Reindeer. The short seemed appropriate as how many times have the Muppets been used as a promotional tool for a fast food chain?

When the curtain metaphorically rises on the main feature (how many theaters actually have curtains any more that aren’t always open for the preshow spate of commercials) we are introduced to two brothers, Gary (Jason Segal) and Walter (Walter) who grew up in Smalltown USA. The two brothers have a very tight relationship. I’m wondering if they in any way, shape or form border where the Simpsons live in Springfield? Growing up Walter couldn’t help but notice that he was different from everyone around him. It wasn’t until The Muppet Show debuted on TV that he found there were others like him. In turn, he became the Muppets' greatest fan.

Jump ahead a few years. Gary is going with his sweetheart Mary (Amy Adams) out to California. Although it’s supposed to be just Gary and Mary, Gary tells Walter he can come along and they will visit the Muppet Studios. With Walter tagging along, Mary is relegated to become the third wheel. During the tour of the now broken down studios when Walter separates from the group to visit Kermit’s office, he overhears a plan by oil baron Tex Richman (Chris Cooper) and his cronies to buy the studio only to rip it down for the oil underneath. Walter tells Gary and Mary about the dastardly future diggings and convinces the couple to try to let Kermit know that the studio is in jeopardy.

They find Kermit at his Bel Aire home with an electrified fence and images of himself and Miss Piggy in the wrought iron fence. This is not the jovial frog we once knew. He is downhearted and missing all his friends, of course, especially Miss Piggy. With the encouragement of the trio, a road trip to collect the former gang ensues to get them back to the studios. They decided to resurrect The Muppet Show for a special one night telethon to raise 10 million dollars to buy the studios back from Tex. A TV exec (Rashida Jones) tells the gang they aren’t relevant anymore and denies them airtime until miracle of miracles a time slot opens up and she agrees upon the condition they can find a star to host the telethon. Of course in the effort to get the show on the air and meeting the necessary requirements all madness and mayhem breaks loose in all the wackiness and zaniness that is the Muppets.

What works about this movie? It’s the Muppets for pete’s sake! It was wonderfully stupendously awesome to see our beloved friends and generators of laughter up on the big screen once again. I’ll admit that there were times when I had the waterworks going on, especially when the stains of The Rainbow Connection started coming through the theater’s speaker system. Walter is a fun addition to the rest of the gang with his irrational exuberance and upbeat personality, he just needs to update his wardrobe and ditch the powder blue suit. A trade mark of the Muppet movies has been the cameo appearances by Hollywood and TV stars. We were not let down in this department with such luminaries as Alan Arkin, Neil Patrick Harris, Selena Gomez, Whoopi Goldberg, Mickey Rooney and one other that had me floored because it was a great appearance and I had not heard the name mentioned as a possibility for showing up.

What didn’t work? First was a rap number. It came out of the blue and had me scratching my head. If it wasn’t for the subtitles, I wouldn’t have been able to understand what was being said. The second was Jason Segal. God bless the man, it’s because of his efforts that our fuzzy, hairy, and cloth friends, old and new, big and small appeared once again on the silver screen. It was good to see you Wayne and Wanda! On How I Met Your Mother as Marshall Eriksen he does a wonderful job. As Gary…eh, no so much. He was ignoring the supposed love of his life Mary which leads me to number three. Why was Amy Adams in the movie? Certainly as eye candy, unquestionably, no mistaking that! Very sweet eye candy however she was totally under used. The Me Party sequence even with the flashy disco border appeared to be done out of good sportsmanship of her heart. Hopefully when the Blu-ray and DVD come out there will be some deleted scenes showing that there was a bigger plan for her character that for whatever reason just didn’t make it into the final cut.

Even with those few shortcomings, sitting in a theater with a mix of about half and half between adults and kids was one of the most exciting events I’ve participated in over the past several months. It was as if you and one of your best friends are separated for whatever reason for a number of years, let’s say twelve for argument’s sake, but when you get back together you just pick up and continue on as if the last time you saw them was yesterday. Kermit made the comment about us forgetting about them, the Muppets. We didn’t forget about them, we didn’t. We have been patiently waiting for just this moment when they come for a visit, we can buy some soda, sit down together and share a story and a good laugh. Jason Segal, thank you for fighting to bring them back to us and Disney, please don’t let them go away again.

The Muppets is 98 glorious attention grabbing minutes and is rated PG for some mild rude humor. Fart shoes anyone?

The Movie Monkey

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Movie Review: Pirates of the Caribbean: On Stranger Tides

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Our favorite pirate captain is back for his fourth go around. Johnny Depp headlines Pirates of the Caribbean: On Stranger Tides as Captain Jack Sparrow. He's back with Geoffrey Rush and Kevin McNally who reprise their roles as Captain Hector Barbossa and First Mate Gibbs. Those are the only returning characters from all three previous adventures. This movie should rule the weekend as no other movies are going up against it. And with releases in 2D, 3D and 3D Imax at my local theater it is taking up four theaters and 20 time slots therefore it should gobble up the movie money this weekend.

At my theater, the first show of the day, I had a little issue happen. We started the previews. After the theater chain trailer finished a screen came up saying to put on the 3D glasses. I paid for 2D so it was a little shocking. Funny though, I did look around to see if anyone in the theater had 3D glasses they were putting on their head in case I might have gone in the wrong door. No yellow frames were to be found in the room. Luckily it was a digital projection theater and after notifying the theater management, it only took about 30 seconds to swap the 3D version back to 2D although we had to sit through the theater chain trailer again.

Film four harkens back to the original Pirates of the Caribbean film, Curse of the Black Pearl. Within moments we re-meet Captain Jack and very quickly we're off into the action. This time around the legendary Fountain of Youth is the desired treasure. Stopping Jack from getting there is a women from his past, the meanest of all pirates and Jack's arch frenemy. One of the fun aspects of the series is how the writers bring in parts of pirate and mythological lore that the average person probably knows or has heard of and twists them or brings in extra embellishments. Examples include how the fountain of youth operates and the backgrounds of mermaids. Ted Elliot and Terry Rosario were the writers taking elements from Tim Powers' novel On Stranger Tides and translating them for the big screen.

We're introduced to the love interest, Angelica (Penelope Cruz). After many years Jack and Angelica have a run in and end up aboard the Queen Anne's Revenge which is Blackbeard's ship. Blackbeard (Ian McShane) is heading to the Fountain of Youth. They're trying to beat Barbossa to the prize. But to capture the reward they also need a mermaid who turns out to be a different species from Madison in the 1984 Touchstone mermaid film Splash. So the take away is this: if you ever run into a mermaid, you need to ask them where they put themselves on the nice/nasty scale! That can make all the difference in the world!

The adventure was filmed in London, Puerto Rico, and multiple locations in Hawaii including Oahu and Kauai. The Queen Anne's Revenge remained in Hawaii after the filming and is now "permanently" moored at the Ko Olina Marina. Not too long ago I had the chance to go out to the marina and see the ship in person and take some photos. If you would like to see them click here. It's amazing how seeing a prop like that changes your perspective when you see the movie and how it comes to life. And speaking of coming to life, just as they have done before there is a scene in the movie that pays tribute to the attraction at parks around the globe.

The two parts of the movie that disappointed me were two action set pieces. Theses were very similar to the staging in Curse of the Black Pearl, one towards the beginning of the movie and the other towards the end. The lighting, choreography and reasonings of the scenes were similar enough that when you see them you'll think that you've seen them before just as I did. There were other elements from Dead Man's Chest and At World's End that were included but they were more along the lines of traits and habits adding a consistency to what we expect from the franchise.

Hans Zimmer once again provided the soundtrack that adds the jauntiness, tension, heart pounding and fun that the film requires.

It was a good popcorn and soda movie. Just watch the size of the soda as the film ran for 137 minutes and you might need to dash out for a few minutes. It had a rating of PG-13 for intense sequences of action/adventure violence, some frightening images, sensuality and innuendo. Finally, as with all of the other Pirates of the Caribbean movies, stay put after the credits for an extra scene.

The Movie Monkey

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Movie Review: TRON: Legacy

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When the original TRON released in 1982, it wasn't a huge box office hit but it made its money. More importantly is that it managed to work its way into tech boys hearts as a film that put an idea into their head of what the digital realm of the inside of the computer would be like if they could live there, to live on The Grid. The effects used in the movie were eye popping. Now, 28 plus years later director Joseph Kosinski brings us back to The Grid with effects that are just as eye popping. The real world has evolved and so has The Grid in TRON: Legacy.

Jeff Bridges and Bruce Boxleitner reprise their roles as Kevin Flynn and Alan Bradley in the real world and CLU and TRON on The Grid. Not much is done in the way of showing detailed close ups of TRON, but CLU is shown. With the computer technology available today Bridges 60 year old face was recreated as a 30 year old for CLU as a program inside a computer wouldn't age. Bridges has to play against himself as both the good and the bad guy. This is not a walk in the park mind you, but it didn't seem for him that it was hard to do.

Flynn's son Sam (Garrett Hedlund) has been missing his dad for twenty years. At that time, the elder Flynn told his young son that they'll go play video games on the following Saturday but the older Flynn disappears. No one knows what happened to him. When Bradley informs the younger but now grown Flynn that he received a page from his dad's old arcade, Sam checks it out. He finds out what happened to dad as he does like father, like son and gets digitized and placed on The Grid. When Sam is almost derezzed meaning digitally destroyed, he is rescued by Quorra (Olivia Wilde who was Thirteen on Fox's House TV show) a friend and student of his dad's. It's up to both Flynns and Quorra to prevent CLU from taking complete control of not only The Grid, but the real world as well.

Right now if you're trying to find a copy of the original, good luck! Disney has allegedly pulled all copies for purchase and current rentals. Maybe if you have a friend who purchased the DVD or VHS tape or scour eBay or Craig's List you might be able to see it. The prevailing theory is that Disney didn't want people to see what by today's standards might seem like a poor movie but for the time that it released was state of the art. For three years starting at Comic-Con 2008 this film has received huge promotion even following the foot steps of Avatar by releasing a 23 minute advanced preview during TRON night to drive buzz about the new film. I went to Tron Night here in Honolulu and was surprised that most of the theater was empty. With so many empty seats, it might seem that there wasn't interest. Apparently Disney didn't follow the rule that when you offer something for free, you must oversell the event in order to fill all the seats. When people came out of the theater there was excitement.

The digital world of The Grid is familiar if you had seen the original TRON but evolved and changed. The suits worn on The Grid are similar but developed. The special effects necessary to bring The Grid to this new life are impressive. The world as defined within the evolution of The Grid between the input and influence of Kevin and CLU will wow the senses. As a note here, I saw the 2D version of the movie. But the effects alone don't carry a movie, there has to be a great story that makes us want to boo the bad guy and cheer for the heroes. From Pixar Studios, Toy Story 3 writer Michael Arndt, and The Incredibles director Brad Bird were brought in to help tighten up the screenplay. What we got was not a great story, but it was a good story. Most of the points of the film moved the plot forward. There were a couple of times I was scratching my head because I seemed to miss point B on the way to connect points A and C.

The film had a PG rating for sequences of sci-fi action violence and brief mild language and ran 127 minutes long. I didn't find myself looking at my watch and there were no easter eggs at the film end. Of special note is the score done by Daft Punk. The music went hand in glove with the imagery and tone of the film and the duo even got parts in the film as masked DJs at the End of the Line club.

There was a lot of visual imagery to take in for this film and I'll probably make the effort to see it a second time to absorb those details.

The Movie Monkey

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Movie Review: Toy Story 3

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Back in 1995 when Pixar released Toy Story, it changed the game for movie goers. To see what sort of images the computer could generate and get us to accept this world of toys in Andy's room could actually exist hadn't been done before. More importantly was the story. They got us to believe that Sheriff Woody, Buzz Lightyear (Tom Hanks and Tim Allen) and the rest of the toys were real and to care what happened to them. Four year later along comes Toy Story 2 giving further refinement to the characters that we know and love. We are introduced to new ones like Jessie the yodeling cowgirl (Joan Cusack) and Bullseye. Then they were put on a shelf for eleven years. But now they are taken down, dusted off and back better than ever. The wait was worth it! It's great to be reunited with old friends.

My home theater is showing the movie in IMAX 3D, Real 3D and 2D. I was in the third show of the day, the first showing in 2D and the theater was packed. It's like schools and summer programs had made a field trip out of seeing this movie and packed the room. I couldn't get my regular seat about three quarters of the way up and in an end seat. I had to sit in the first row of the risers in a handicap seat knowing that if a wheel chair guest came in I might have to move to the front row and stare up at the screen. This movie will probably break some records this weekend.

Just as time had passed between movies in the real world about the same amount of time has passed in the world of Andy's room. He's now grown up and heading off to college. He has to clean out his room. What do you do with the toys that you loved as a child? Take them with you, throw them away, donate them or store them? The toys ponder their fate while reflecting what happened to some of their old pals that didn't make it up to this point. Inadvertently the toys end up being donated to a day care center.

Here our heroes plus Mr and Mrs Potato Head, Slinky dog, Barbie, Hamm, the three eyed aliens and Rex (Don Rickles, Estelle Harris, Blake Clark, Jodi Benson, John Ratzenberger, Jeff Pidgeon, and Wallace Shawn) come to cross roads. In Toy Story 2 the relationship between Jesse and her owner Emily translated through the beautiful song When She Loved Me. Many of the same feelings were once again being expressed but not exclusively by Jessie. Their fears are put to rest by a new character Lots-0-Huggin Bear (Ned Beatty) or Lotso for short, a pink fluffy teddy type bear that smells like strawberries who acts as representative for the toys who call Sunny Side Daycare their home. Other new toys introduced are Mr Pricklepants, Dolly, Buttercup, Sparks and Bookworm just to name a few. I'll have to drop by my local Disney Store and see if Mr Pricklepants comes in a plush. I find the idea of a lederhosen wearing hedgehog pretty funny and even funnier when he reveals that he wants to be a Shakespearean actor!

Their orientation is given by Ken (Michael Keaton) who for the first time discovers Barbie. The reaction and banter between the two is inspired creativity. They could probably have a spin off with just these two. Ken shows the newbies to the Caterpillar room where after recess the kids come in and the toys get played with....and HARD! Buzz makes an appeal to Lotso to move to the Butterfly room where there are children more age appropriate for the gang. Turns out Sunny Side isn't so sunny after all. Andy's toys decide to make a break for it, to get out from under the storm clouds of Sunny Side but to return to what?

Overall the tone of the movie is much darker than we've seen in any previous Toy Story movie. Although the movie has a G rating, there are themes here which are very grown up. The last twenty minutes of the movie you will need tissues. Friendship and loyalty versus responsibility and duty. Where is my place? Should I rust out or get worn out? Do I stick with what I know or venture into the unknown? All great questions that are presented to us through the eyes of a toy or a group of toys. Ultimately, the movie's conclusion is very satisfying as we watch the closing credits. The guys and ladies over at Pixar have not only given us great visuals to enjoy but a story worthy of watching.

Speaking of visuals, Pixar is known for putting easter eggs into their films. The little nods to inside jokes, running gags, past or even future films abound in this movie. The big one that I noticed was the Pizza Planet truck. The letters Y-O stuck out like a sore thumb. One blogger over at Slash Film counted about 60 hidden gems. Many are not as blatant as the truck but interesting on their own. Check out the blog post at: http://www.slashfilm.com/2010/06/18/toy-story-3-easter-eggs/ for the details.

Usually I give you the running length of the movie, but I forgot to look at the time. I've seen a couple of times reported on web sites, but don't know if that includes the short that is shown in front of the movie. It's entitled Day and Night and is very different than any of the previously released shorts like Boundin', Knick Knack or Partly Cloudy. It's a very ingenious presentation! I'm assuming that the short was about 8 minutes and the main feature about 90 minutes. In any case, it's time well spent.

The Movie Monkey

To subscribe to the audio podcast of the reviews via iTunes click here. Audio versions are released the following Wednesday.

Movie Review: The Princess and the Frog

For many months now we've been bombarded with stories both on TV and in writing about Disney's return to hand drawn animation and their first African-American princess, Tiana, in The Princess and the Frog. The movie has been playing in limited release in Los Angeles and New York and today (December 11, 2009) finally was made available in general release. While there was a hint the movie would be hit with Tiana costumes selling out at Halloween, I can say that the movie was worth the wait.

The last attempt at hand drawn animation done by Disney was back in 2004 with Home on the Range. That movie was forgettable. It was so forgettable that I had to look up the movie on IMDB to remember what it was. Since then John Lasseter and the Pixar gang came on board with Disney. One of the qualities that Pixar is known for is having a story with a solid plot and characters that have depth and emotions. With Lasseter as the Chief Creative Officer, that philosophy rubbed off and wa-la, we have a story with charm, character, depth and that holds your attention.

The original story from the Brothers Grimm had been reworked to bring us the story of Tiana (Anika Noni Rose), an African-American waitress in 1920's New Orleans who dreams of owning her own restaurant. In steps Prince Naveen (Bruno Campos) and his assistant Lawrence (Peter Bartlett) who run into Voodoo practitioner Dr Facilier (Keith David) who wants to bring over his friends "from the other side" and turns Naveen into a frog. In the twist to the story instead of the kiss returning Naveen to his human form, Tiana turns into a frog. Some twist as it's been in every preview and ad for the movie. Naveen and Tiana in their journey to transform out of their amphibian form meet Ray the firefly (Jim Cummings) with a heart bigger than his butt and Louis (Michael-Leon Wooley), an alligator who blows a mean horn and has the dream to join a jazz band.

Dr Facilier is right up there with the Disney villains. Called by Tiana, The Shadow Man, with voodoo magic on his side, he uses it to his advantage. While the movie is rated G, the minions that he is able to use to help carry out his plans were somewhat scary. As shadows that were able to grab people and objects, it was a dark side that is normally not explored in these sort of movies.

The scenery is detailed and beautiful. The mansions, the riverboat, downtown New Orleans, and the French Quarter look amazing. Out in the bayou, the greens and other vegetation draw you in. When Tiana and Naveen meet Ray and Ray introduces the rest of his firefly family I sat their with my mouth open. I loved the use of light and the points of light to tell the story and accent points in the journey. Marvelous! There was some computer animation to add to the movie. Just as the ballroom was computer generated in Beauty and the Beast, the computer was an adjunct tool rather than the only tool used.

With Randy Newman providing the music, it filled in the missing pieces to round out the experience. New Orleans is the birthplace of Jazz so of course that was included along with Zydeco and a gospel choir selection. While for me no one song stood out, they all combined to move the story forward.

The one sequence that did stand out for me was "Almost There". Tiana is working hard as a waitress saving her money to be able to achieve her own dream. She is telling her mom about her plans to take a broken down location and turn it into an experience for good food with good friends. The animation changes to a stylized form and the dream that she is passionate about leaps off the screen with the music, lyrics, animation, imagery and color that make you almost taste the gumbo that she wants to serve in her new eatery.

In regards to how the bad guy is finally taken down, I was thrilled that they didn't resort to the age old, time tested and honored method of dispatching the baddy. The Evil Queen, Maleficent, Clayton, and Gaston all met their end falling over some sort of precipice. When Dr Facilier met his end I was like "Yes! This is different!!" A definite thumbs up on how the bad guy was vanquished!

There have been some comments in the press and online about The Princess and the Frog riding on the coattails of the election of Barrack Hussein Obama as the first African-American President. This is a bunch of hog hooey. This movie has been in the making for over three years and then Senator Obama announced on February 10, 2007 his Presidential aspirations. In the second half of 2006 Randy Newman was selected for the music and casting calls went out. Both events predating any announcement of and election of now President Obama. Who knows, maybe he was inspired by the movie to run for the highest office in the land?

Off my soap box. It's a wonderful story about both wishing and working for your dreams to come true. I'll be seeing the movie a second time as I know there were a lot of details that I missed the first time. There are many visuals to absorb in the 97 minute running time.

Movie Review: A Christmas Carol

Let's get something straight right off the bat: Charles Dickens A Christmas Carol is a ghost story. Everyone over the age of four should know the basic story of how meaney Ebenezer Scrooge is visited by four ghosts to help him find his humanity again.

This version is done by Robert Zemeckis of Who Framed Roger Rabbit and Back to The Future fame. He used the Motion Capture (MoCap) method like he used in Polar Express, another Christmas story and Beowulf. For those of you who don't know, the actors wear a special suit with all sorts of sensing devices that are picked up by cameras set around the stage. The computer catches the location of the sensors and thereby captures the actor's movements. This allows the director to place the actors actions in a virtual world to be mimicked on a virtual actor. We'll talk a bit later about how this MoCap affects performance.

The movie was released in regular, 3D and IMAX 3D formats. In my area, the IMAX costs $15.00 per show and has no matinee prices. The 3D version has a $3.50 upcharge on either matinee or full price. I really don't find that the 3D adds a whole lot so I chose the regular format.

The movie started off like some of the old Disney classics. They zoom into a book which opens and the story is told. After that, they started in a place that I had not seen before done in a movie. Granted, I haven't seen all versions, but I've seen many of them. My favorite is the 1970 musical version entitled Scrooge with Albert Finney and Alec Guinness. Zemeckis' starts with Marley's death and then jumps to the point where most people are familiar with the story.

Jim Carrey provides the performance for Scrooge and Gary Oldman handles the role of Bob Cratchit who we now get to see in the office of Scrooge and Marley. From here, it was obvious what Zemeckis wanted to do with the 3D. The soaring over old London bringing you through the streets, showing people in their everyday affairs and just how mean Scrooge is.

Scrooge goes home and runs into the ghost of Jacob Marley, also done by Oldman, who in an attempt to save Scrooge from his fate tells him about vists from three other ghosts, which were all done by Carrey. For the first encounter with Marley, you get an idea of why the movie has a PG rating. After Marley leaves and Scrooge views some of the specters roaming the earth, you fully understand that the PG rating was justified. There were several gasps from the audience during Marley's visit.

The ghost of Christmas Past is symbolized by a floating flame. This was an interesting interpretation. What I didn't like was the ticks that were added by Carrey to the character. They seemed out of place.

The Ghost of Christmas Present was represented as most productions have shown him as a large jovial man with a hearty laugh. What impressed me about this sequence is that instead of Scrooge and the Ghost flying to the different scenes by themselves, the Ghost turns Scrooges building into a space ship of sorts and transforms the floor into a transparent portal from which they can observe the action. Scrooge doesn't leave his living room.

The Ghost of Christmas Yet to Come was also represented well. Many shots of this Ghost weren't a solid figure, but of a shadowy malevolent presence. It was very effective. This part also had the one item that I didn't like and that was a funeral carriage and black horses with red eyes driven by the Ghost chasing Scrooge through the streets of London all while Scrooge is shrinking in size until he's the size of the rat.

Finally we end up back in Scrooge's abode with him being exuberant that he's alive feeling "as light a feather" as he determines to make up for all that he's lost. As the movie ends he heads over to his nephew Fred's (Colin Firth) to reconnect with the only family he has.

While the story is not new, Zemeckis decided to play straighter to the original text. Usually the part of Ignorance and Want are ignored as well as showing just they kind of person Bob Cratchit is as he attempts to slide on an icy street.

The looks of London and settings are wonderfully set with the cobble stone streets, the lights of the buildings, the smoke eminating from chimneys and the opulence of some and the needs of others are established early. It adds to the beauty and expressiveness of the film.

What was disconcerting at time was the MoCap and some of Carrey's actions. When Scrooge discovers that he's still alive, some of the actions that Carrey performed for the character is something that I don't think they would preform during the time frame. At other times there were actions and vocals that just didn't match. We catch little things like the slight movement of a mouth while laughing. The computer didn't catch them and the post production didn't added in those subtle movements. The eyes for this production were better than some of the other MoCap movies already done, but not quite right. Lastly were some of the skins. Scrooge himself looked great. Several of the other characters looked like they were plastic with colors painted on. They really didn't look textured. For the couple of characters with flawless beautiful skin, they looked too shiny like they were porcelain, not a flesh.

Was the movie worth the price? I say yes, despite some of the looks of the characters and their actions, the overall story told and the settings were engaging enough to overcome those flawed items. Reminder it is a ghost story with a PG rating for this 96 minute film.